Works

My practice spans sculpture, installation, and more recently, painting-based works. During my MFA in Fine Arts, I primarily focused on sculpture and installation, particularly drawn to the spatial experience of installation as a form that invites the viewer to move through and within it. I am deeply interested in what might be called spatial fluidity — a sense of flow that arises when a viewer’s body is in motion in relation to the work.

In sculpture, I often work with negative space, seeking to create forms that allow air and light to pass through — not just shaping the material, but also shaping the voids between. These voids become just as present and intentional as the solid mass, enabling a kind of breathing architecture.

Since graduating, I have shifted my attention toward painting, exploring ideas of structure and space on the wall, rather than in the round. This recent body of work often sits between abstraction and representation. At times, it imagines entire speculative civilizations, shaped not by domination over land but in response to the terrain itself — a kind of reverse utopia where environment leads and form follows.

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