I build forms that breathe.
Structures imagined in response to land, air, and memory.
My work does not begin with language, but with the structure of perception.
Rather than delivering ideas through predefined verbal concepts, I focus on how thoughts and emotions are embedded within the construction of form—through composition, space, rhythm, and materiality.
I remain skeptical of the notion that art must rely on a statement to be understood or validated. I believe a truly resonant artwork should be able to communicate its internal tension and direction even without any accompanying text.
If a work fails to carry its meaning visually or spatially, I consider it a failure of the artwork itself—not a gap to be patched with explanation.
In a time saturated with language and conceptual overlays, I choose to respect the logic of each medium.
Writing belongs to writing. Art belongs to the visual and spatial realm. I see visual art not as a vessel for academic discourse, but as an autonomous field capable of delivering its own kind of intelligence—one that emerges through form, not through words.